“Well, for one thing, I think he asks too many personal questions,” her grandmother said in a hoarse whisper. She cast a glance in the direction of the kitchen. “And the way he drinks – didn’t you notice? I think he’s probably an alcoholic.”
Details: Originally published January 1988 by Bantam Books. Paperback, 153 pages.
Summary/Overview: Enid’s excited about her grandmother coming to live with her and her mother Adele. Mrs. Langevin, as she’s referred to throughout the book, is apparently a ton of old lady spunky fun. Both Enid and her mom go out of their way to make Nana feel welcome; Enid even moves her stuff up to the attic so that Nana can have her room on the house’s main floor. But when Mrs. Langevin arrives, she’s a shell of her former self. She’s frail, withdrawn, and needy.
For a while, both Adele and Enid do their best to accommodate her needs. Enid ends up bearing the brunt of this: she has to cancel plans with her boyfriend Hugh and bail on helping Elizabeth with a documentary project (more on that in the B-plot); and things get worse for her when her grandma tells her that Hugh is the wrong boy for her and that all her friends suck.
Things boil over on a Saturday night, when Adele has made plans to attend an important work event with her boyfriend Richard and Enid is supposed to attend the documentary premiere at the Wakefield house. Nana refuses to have a stranger come stay with her and then claims that she can’t be left alone in case she gets sick. Adele tells Enid she’ll have to stay, and that’s when Enid loses it: she blows up at her grandmother and tells her what a holy terror she’s being, and then she rushes off to the premiere.
There, she confides in Elizabeth about what’s been going on and then freaks out about leaving her grandmother alone. When she returns to the house, she’s surprised to find her grandma making cookies. The two eat cookies, have a heart-to-heart, and when Adele arrives back home, Nana announces she’s going back to Chicago. Okay…?
The B-Plot: Jackson Croft, famous film director, has announced a student documentary film contest. Elizabeth decides to enter with a piece called “This is Sweet Valley,” and she enlists the help of Jessica, Jeffrey, and Enid to create the film. They premiere it at the Wakefield’s house to massive success.
Her grandmother held up her hand. “I thought so the other day when they were here, too, but I didn’t want to say anything. Especially that Liz. She seems very bossy to me, ordering everyone around.”
Sweet Valley Social Calendar:
Estimated Elapsed Time: 3 weeks
– Documentary film contest
– Enid’s nana moves in from Chicago
– Movie premiere/party at the Wakefield house
Trivia:
– The library has a large print book exchange with other libraries in the state
– Jeremy Frank from “Frankly Speaking” gets another shout-out here
– The Droids perform a song called “Meltdown”
Pop Culture:
– Superbowl
– Edward Lear
Does it hold up? (A totally unqualified critical analysis)
I mean, this holds up in terms of being memorable for how incredibly ageist it manages to be while also creating the world’s most annoying grandma. The emotional manipulation that the character Mrs. Langevin engages in is truly something to behold. It’s not subtle, but it is effective in irritating both the characters around her and me, the reader. I wanted to shake the old biddy more than once.
The problem is that the story can’t seem to get consistent about what’s going on. Either Enid and Adele can’t leave her alone, or they can – but the book picks and chooses whenever it’s convenient for the plot. Adele works away from the home all day, and Enid is in school, so ostensibly Mrs. Langevin is home alone then, but leaving her by herself for a few hours while they both attend events on a weekend night is impossible? They can’t leave her alone because she “might” get sick? Excuse me, what?
What’s so funny is that the dramatic tension is already there without this absolutely hackneyed plot point. Enid is feeling strained trying to balance supporting her grandma and having a social life, and Adele is obviously stressed about managing a household, her job, a fairly new relationship, and the arrival of her mother, but the book doesn’t provide any nuance for this and instead just makes Mrs. Langevin into an irrational toddler until she does an abrupt about-face and then…leaves? Will we ever see her again?